PUBLICATIONS
“Rock Star Supernova: Producing Medium Metamorphosis and Creative Displacement Through Convergent Media and Interactive Technologies.” Popular Media and Communication: Essays on Publics, Practices, and Processes. Eds. Karen Ross and Stuart Price. Cambridge, UK: Cambridge Scholars Press, 2008.
“Unmasking the Invisible: Marketing Gender Variance in Films Intended for U.S. Distribution,” Colloquy 6.1 (2005): 2-23.
“The West Wing: Virtual Democracy for a Divided Nation,” Film & History: An Interdisciplinary Journal of Film and Television Studies 31.2 Annual CD-Rom (2003).
“Realism, Anti-Realism, and Queer Documentation in The Brandon Teena Story," Communication Colloquy, 5.1. (2003): 69-79.
“NBC’s The West Wing: Virtual Democracy for a Divided Nation,” Communication Colloquy 5.1. (2003): 14-27.
“PCA/ACA Discussion Log May, 2003: The Demise of The West Wing?” Film & History: An Interdisciplinary Journal of Film and Television Studies 33.1 (2003): 60-62.
“Genocide,” Southwestern Anthropological Association Newsletter 41.3. (2000): 11-1
CONFERENCE PROCEEDINGS xxxx (LINK HERE FOR CONFERENCE PRESENTATIONS)
“Unmasking the Invisible: Encoding Gender Variance in Films Intended for U.S. Distribution,” Significations, California State University Los Angeles, 2004 (77-86).
THESIS
Unmasking the Invisible: The Construction of Gender Variant Characters in Late 20th Century American and British Cinema (1992-2002), California State University Los Angeles, 2004. Awarded 2004 CSU Most Distinguished Masters Thesis; International Finalist WAGS/UMI Most Distinguished Masters Thesis.
Deborah E.R. Hanan